Saturday, April 20, 2019

Spirit Myth and Sacredness in Architecture Essay

middle Myth and Sacredness in Architecture - Essay ExampleShortly after the Buddhas death, history records a overreach for his remains amongst monks from across the Indian subcontinent. His remains were fin all(prenominal)y divided into eight portions, each being fit(p) in one of the twelve original Stupas that were built. Few of the original stupas still survive, that stupas continued to be built long after the Buddhas death with progressive modification of subsequent design as its import became more and more symbolic. However, the building of Stupas began long before the Buddha himself, as relic holding monuments of rulers. The symbolism was acquired at a much later date. To quote authors Thurman and Leidy (1997) Stupas began in pre-Buddhist India as hemispherical burial grounds that mark the remains of temporal rulers. At an early stage in the development of Buddhist art, they became symbols of the Buddhas continuing immanance as well as representations of his mind........th e fourteen rings around the spire (that ar seen in all in advance(p) stupas) are all that remainn of the royal umbrellas often found in earlier stupas. They symbolise the fourteen stages traversed in the attainment of buddhahood the four tantric stages added to the ten bodhisattva stages.In its basic essence, a stupa represented the school term heraldic bearing of saints and the Buddha as shown in Figure 1, as it was customary for saints to be buried in a sitting posture. However, the Buddha wished to be cremated and his ashes to be distributed to eight kingdoms after his death to be housed in Stupas. Therefore the stupas were built correspond to a basic plan of the Buddha seated for meditation, to encourage generations afterwards to seek salvation through ghostly practice. Figure 1. The sitting BuddhaHowever, after his remains were distributed to the eight kingdoms, the differences in Stupa architecture represented the eight disparate stages of his life as shown below in Fig ures 2. This was the original basis of symbolism based on the Buddhas life, but with time, the interpretations and further embellishments changed the architectural pattern of the Stupas. Figure 2. The eight original Stupa plansDeconstructing the Symbolism of the later StupaAll stupas are built basically according to the principles that govern the process of Enlightenment that takes place during the acquisition of the Buddha-mind. Figure 3 shows the basic philosophical interpretations of the elements that made up a Stupa in its Figure 3. Basic Stupa elements.entirety - (a) the nonfunctional pole of parasol or canopy, representing wind , (b) the cone or harmika , representing fire, (c) the hemispherical round dome representing water, (d) the determine base, reprenting the earth, and (e) the parasol itself, representing space. At a higher order of understanding, these basic elements can be interpreted as Higher States of the Buddha mind as explained by the Buddhist master Dilgo Rinpo che These are the essential attributes of a amply realised human being the base of the stupa signifies earth and equanimity the dome, water and indestructibility the spire, fire and compassion in a higher place the spire, wind and all-accomplishing action and at the very top, the jewel represents space and all-pervading awareness. The stupa is a mandala, or sacred arrangement, containing all of these enlightened qualities.However, the

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